Beijing, (ANTARA/PRNewswire)- On February 19, iQIYI, an innovative market-leading online entertainment service in China, has released its report detailing the performance during the Chinese New Year (CNY) holiday period (Feb. 9 - Feb. 15), marking a period of remarkable growth and success. The data highlights a 175% increase in variety shows viewing time during the holiday compared to the pre-holiday period, and a nearly 400% viewing time surge of the hit drama Always on the Move, along with a 470% increase in AI search usage.
Variety Shows Dominate the Festivities
As China's most-watched TV program, the 2024 Spring Festival Gala (the Gala) produced and broadcast by China Media Group (CMG), secured the top spot in the variety show rankings on iQIYI during the seven-day holiday season, according to data from the iQIYI Research Institute.
Notably, casts from iQIYI's original variety shows and drama series were prominently featured in the Gala. Comedy talents from Super Sketch Show captivated a vast audience with their uproarious sketches, while the cast from Become a Farmer reunited and entertained the audience with their energetic performances on stage. The popularity of their appearances spurred a resurgence of interest in both Super Sketch Show and its sequel, prompting both installations to consistently rank among the top 10 variety shows on iQIYI.
iQIYI Original Dramas Thrive and Captivate Audiences
For the fifth consecutive year, iQIYI has dominated the CNY holiday season with its highly anticipated drama series. This year's offering, the period drama Always on the Move, triumphed again with an astounding nearly 400% surge in viewing time during the holiday season compared with the pre-holiday period, following the footsteps of the incredible success of A Lifelong Journey and The Knockout in 2022 and 2023 respectively.
Meanwhile, previous original dramas also continue to capture audiences. Data indicates that the eight previous acclaimed dramas from iQIYI, including Destined, Mysterious Lotus Casebook, and Story of Kunning Palace, all achieved top 30 rankings for viewing time during the holiday period.
Action Films Surprise and AI Technologies Enhance the Viewing Experience
In a similar trend, films recorded a 6% uptick in viewing time compared to the previous period, with the comedy Johnny Keep Walking! claiming the top spot in the ranking. Noteworthy among the highlights were three action films from iQIYI's recently launched 'Action Master' season: Blocking the Horse, Eye for an Eye 2, and Hunt the Wicked. Notably, the latter two films claimed the second and third positions on iQIYI's film popularity index. Together, these three action films collectively achieved a box office revenue of over 17 million RMB (approximately 2.4 million USD) on iQIYI Cloud Cinema, where the company bagged more than 2.08 million ticket sales during the seven-day holiday.
Additionally, iQIYI's cutting-edge technologies, including AI search, provided viewers with a seamless and immersive experience, enabling effortless access to popular scenes and delivering intelligent personalized recommendations for film choices. The data shows a remarkable 470% increase in AI search usage during the holiday period.
Popular IPs Spark Tourism Buzz and Propel Drama Popularity
Beyond its digital offerings, iQIYI expanded into offline initiatives in tourist-favored cities over the CNY holiday. Prior to the holiday festivities, iQIYI launched its VR project Strange Tales of Tang Dynasty 2: To the West in Xi'an, Shaanxi province, offering visitors a mesmerizing fusion of traditional and contemporary elements, thus drawing crowds of eager audiences. This surge in cultural tourism activities has concurrently boosted the viewing time of original drama series, resulting in an 11.2% increase in viewing time on iQIYI. A similar trend has been observed with the surge in popularity of the northeastern city of Harbin, Heilongjiang province, and the rise of Northeast-themed films, such as Fight Against Evil.
CONTACT: iQIYI Press, press@qiyi.com
SOURCE iQIYI
Reporter: PR Wire
Editor: PR Wire
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