However, this year, a slight change has marked the list with the name of Bong Joon-ho, a South Korean filmmaker-cum-scriptwriter, whose black comedy thriller Parasite (2019) took home four Oscars at the 92nd Academy Award's ceremony.
During the ceremony, many applauded Bong Joon-ho's historic victory because "Parasite" is the first foreign movie which snatched nearly all prestigious trophies, including the highly-praised Best Picture, Best Original Screenplay, Best Director, and Best Foreign Language Film.
After Joon-ho's achievements, many might wonder what they had missed about Asia's other thriller movies that could have been award-winning but were long underrated for the past decades. In the mission to help viewers dig out the hidden gems of Asia's thriller movies, ANTARA's choice has picked top three movies everyone must watch other than Parasite:
1. Bong Joon-ho's classic: "Memories of Murder" (2003)
Before Parasite, Joon-ho's second movie, "Memories of Murder" had marked a critical success both in its home country and international level. The movie, which was adapted from a stage play of a real-life serial killer at a rural town in South Korea in the mid-1980s, had been screened at the Cannes Film Festival and Venice Film Festival, while in South Korea, the movie won Best Picture, Best Director, Best Lighting, and Best Actor for the film's lead star Song Kang-ho at the 2003 Grand Bell Awards (also known as the Daejong Film Awards which is presented annually by the Motion Pictures Association of Korea). Apart from Grand Bell, the movie in 2003 also won trophies at the Busan Film Critics Awards, the Tokyo International Film Festival, Korean Film Awards, Chunsa Film Art Awards, Blue Dragon Film Awards, Director's Cut Awards, as well as Festival du Film Policier de Cognac in 2004.
"Memories of Murder", or in Korean 살인의 추억, read Sarinui chueok, told a story of South Korea's first-ever serial murder case which went cold for decades until the murderer confessed in 2019. The film begins its story in 1986 where two detectives in the southern Korea's rural Gyunggi town struggled to solve multiple murder cases of young women who were found stripped and raped by an unidentified man.
Without a professional probing skill, the detective in charge, Park Doo-man (starred by Song Kang-ho who also played in Joon-ho's Parasite), investigated the murder by arbitrarily snatching innocent people and accusing them as suspects. When the cold case gained the attention of a skilled detective from Seoul, Seo Tae-yoon, the investigation started to see the light. Apart from the disturbing and dark narrative that would amuse any thriller fans, Joon-ho could present terrors and suspense without much blood and throat-slitting. In "Memories of the Murder", suspense simply comes from the lives of an ordinary man, an empty hazy road, and beautiful wild weeds.
2. Outside Joon-ho's: "Oldboy" (2003) and "I Saw the Devil" (2010)
Joon-ho maybe South Korea’s most notable “master of suspense”, but the country has a number of genius filmmakers specializing in psychological thrillers. Some of which include Park Chan-wook with his noir-disturbing “Oldboy” and Kim Jee-woon with his psychopathic serial rapist/killer “I Saw the Devil”. Similar to Memories of Murder, Oldboy and I Saw the Devil also have been highly praised both at national and international stages.
Oldboy, or in Korean 올드보이, read Oldeuboi, have taken home dozens awards and nominations at the Asia Pacific Film Festival, Austin Film Critics Association, Bangkok International Film Festival, Belgian Film Critics Association, Bergen International Film Festival, Blue Dragon Film Awards, British Independent Film Award, Cannes Film Festival, Chicago Film Critics Association, Golden Trailer Awards, Grand Bell Awards, and Stockholm International Film Festival.
The Chan-wook’s Oldboy is an adaptation of a Japanese comic written by Gaaron Tsuchiya. The movie begins on a rainy night in 1988 where a businessman Oh Dae-su, the main character, is abducted by an unknown gang and locked up in a windowless hotel room for 15 years. For over a decade, Dae-su is fed and sedated only to keep him from ending his own life. From a television set in his hotel room, Dae-su learns his wife has been murdered and he is the police’s prime suspect. In 2003, after years of shadowboxing and planning vengeance, Dae-su is released and he has only five days to plot his revenge.
Meanwhile, I Saw the Devil, or in Korean 악마를 보았다, read Akmareul boatda, has also won and been nominated in several categories at the Asian Film Awards, Austin Film Critics Association, Blue Dragon Film Awards, Brussels International Festival, Grand Bell Awards, Houston Film Critics Society Awards, and Washington D.C. Area Film Critics Association Awards.
The movie tells the story of a secret agent, Soo-hyun, who seeks revenge against a serial murderer/rapist Jang Kyung-chul as he had killed the agent’s fiancé. Although the secret agent can instantly kill the perpetrator, Soo-hyun chooses to constantly beat the rapist whenever he starts committing the crime. In “I Saw the Devil”, it is odd when seeing disturbing scenes could seem satisfying.
3. Woman takes the lead: “Marlina the Murderer in Four Acts” (2017)
In previous movies, women are likely depicted as weak and submissive, but in “Marlina the Murderer in Four Acts”, no men can escape gruesome deaths after they rape a widow and steal her dignity, livelihood, and possession.
“Marlina the Murderer in Four Acts” is an Indonesian film (original title: Marlina Si Pembunuh dalam Empat Babak) directed by a female filmmaker Mouly Surya, who also has launched another psychological thriller movie, “Fiksi” (2008). The movie, which is an adaptation from a story written by Garin Nugroho, tells the story of a young widow who wreaks vengeance on a group of burglars/rapists in the island of Sumba, East Nusa Tenggara Province. The story begins when a grieving Marlina, a widow who just lost her husband, is raped and robbed in her house by a group of burglars. In a country where a rapist might get away with his crime, Marlina refuses to be a helpless victim, and instead, she writes her own faith by beheading the rapists, poisoning them, and stabbing one of the perpetrators while he once again tries to rape her.
The movie dubbed as Indonesia’s first Satay Western film received dozens nominations and awards both in its home country and international stages. Some of which include the Sitges Film Festival (for Best Actress); AFI Fest (World Cinema); Asia Pacific Screen Awards (Achievement in Directing); Tokyo FILMeX (Grand Prize); Maya Awards (Best Cinema Film, Best Cinematography, Best Art Direction, Best Film Score, Best Actress); Göteborg Film Festival (Dragon Award Best International Film); Asian Film Awards (Best Actress, Best Cinematography, Best Sound; Best Production Design); and Indonesian Film Festivals for nearly all categories including Best Film Editing, Best Film, Best Director, Best Leading Actress, Best Original Screenplay, Best Cinematography.
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Editor: Gusti Nur Cahya Aryani
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