The colossal performance took place under a cultural spectacle titled “Gelora Nusantara,” held to mark the 51st anniversary of TMII. The record has been recognized by the Indonesia World Records Museum (MURI).
“This achievement marks a crucial milestone in our efforts to preserve and promote Indonesian culture at the national level,” TMII Acting President Director Ratri Paramita noted in a statement received on Sunday.
She noted that her team partnered with several parties to organize the event, including Forum Komunikasi Guru Tari (Dance Teachers Communication Forum).
“Through this collaboration, Gelora Nusantara became more than a show; it also served as a platform to raise public awareness about Indonesian art and culture,” Paramita remarked.
She added that the record-setting event seamlessly aligned with the anniversary’s theme of “Never-Ending Cultural Preservation.”
“Our goal is to affirm that cultural preservation is not an endeavor that stops at a certain point, as it represents a sustainable process that must be sustained onward,” she stressed.
Paramita went on to say that TMII’s success in rallying 1,000 individuals to dance in harmony across local cultures reflects the nation’s collective determination to preserve its cultural diversity in an inclusive and sustainable manner.
TMII, she continued, will continue to contribute to endearing Indonesian culture to the wider public through innovative strategies.
“We want culture not to be distant or exclusive; we envision it being present as part of everyday life. TMII is working to proffer more inclusive and interactive cultural experiences to reach people from all walks of life, especially the youth,” she explained.
Furthermore, she expressed hope that TMII's efforts would also help boost the global appeal of Indonesian culture.
Essentially, the performance showcased both traditional dances and dances inspired by folk songs originating in various cultures across Indonesia.
Among the traditional dances performed were Bedana (Lampung), Janger (Bali), and Ondel-Ondel (Jakarta).
Meanwhile, many dances were creative interpretations of folk songs like Bungong Jeumpa (Aceh), Yamko Rambe Yamko (Papua), Sinanggar Tulo (North Sumatra), Manuk Dadali (West Java), and Lancang Kuning (Riau), among others.
The medley concluded with the performance of a dance tied to Jakarta’s Kicir-Kicir song by the entire 1,000-strong group.
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Translator: Ilham K, Tegar Nurfitra
Editor: Azis Kurmala
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